Society of Scholars

chairs against a blackboard

The Society of Scholars is an intellectual community of humanists of diverse generations, academic ranks, and departmental affiliations who contribute to and learn from one another’s work. Each year, approximately eight faculty and three dissertation research fellowships support members of the Society of Scholars. Scholars in year-long residence at the University of Washington may be invited to participate as well. The group meets biweekly throughout the year to discuss their research in progress. 

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Cohort Archives

2026 - 2027 Society of Scholars

Vanessa Freije
Associate Professor
Jackson School of International Studies
Portrait of Michelle Habell-Pallán
Professor
Gender, Women & Sexuality Studies
Amelia Lehosit
PhD Candidate
English
Annegret Oehme
Associate Professor
German Studies
Chrystel Oloukoï
Assistant Professor
Geography
Golden Owens
Assistant Professor
Cinema & Media Studies
Jonathan Radocay
Assistant Professor
English
Ila Ravichandran
Assistant Professor of Legal Studies
School of Interdisciplinary Arts and Sciences, UW Tacoma
Adam Romero
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Bothell
Morgan P. Vickers
Assistant Professor
Law, Societies, & Justice
Chad Westra
PhD Candidate
History
Yumo Yan
PhD Candidate
Cinema & Media Studies
Anandi Bandyopadhyay
PhD Candidate
History
Laura Harris
PhD Candidate
Classics
Ishita Lahiri
PhD Candidate
English
medium close-up of Yandong. He is on the left of the frame in a black t-shirt looking at the camera. To the right is a light flare form the setting sun, while the background shows buildings and a park.
Doctoral Candidate
Cinema & Media Studies
Sikose Sibabalwe Mjali
Graduate Student
English
Martin Schwartz
PhD Candidate
German Studies

2016 - 2017 Society of Scholars Fellow

Portrait of Sasha Welland

Sasha Su-Ling Welland (she/her/hers)

Associate Professor

Cancer Aesthetics: A Feminist Manifesto on the Meantime of Life and Death

Cancer Aesthetics juxtaposes the feminization of U.S. cancer culture under neoliberal management of chronic crisis with feminist responses that take up the “social fact” of cancer as a way to think about and protest broader social conditions. An assembled archive of feminist cancer scholarship and cultural production serves as contextual history for an ethnographic account of how patients and caregivers narrate, visualize, and theorize embodied and gendered encounters with cancer. This interdisciplinary inquiry into the counter-aesthetics of those who inhabit cancer’s chronic meantime of life and death asks not how art can palliate but how it gives form and power to activist responses to the inadequacies of contemporary cancer management.