Society of Scholars

chairs against a blackboard

The Society of Scholars is an intellectual community of humanists of diverse generations, academic ranks, and departmental affiliations who contribute to and learn from one another’s work. Each year, approximately eight faculty and three dissertation research fellowships support members of the Society of Scholars. Scholars in year-long residence at the University of Washington may be invited to participate as well. The group meets biweekly throughout the year to discuss their research in progress. 

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Cohort Archives

2026 - 2027 Society of Scholars

Vanessa Freije
Associate Professor
Jackson School of International Studies
Portrait of Michelle Habell-Pallán
Professor
Gender, Women & Sexuality Studies
Amelia Lehosit
PhD Candidate
English
Annegret Oehme
Associate Professor
German Studies
Chrystel Oloukoï
Assistant Professor
Geography
Golden Owens
Assistant Professor
Cinema & Media Studies
Jonathan Radocay
Assistant Professor
English
Ila Ravichandran
Assistant Professor of Legal Studies
School of Interdisciplinary Arts and Sciences, UW Tacoma
Adam Romero
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Bothell
Morgan P. Vickers
Assistant Professor
Law, Societies, & Justice
Chad Westra
PhD Candidate
History
Yumo Yan
PhD Candidate
Cinema & Media Studies
Anandi Bandyopadhyay
PhD Candidate
History
Laura Harris
PhD Candidate
Classics
Ishita Lahiri
PhD Candidate
English
medium close-up of Yandong. He is on the left of the frame in a black t-shirt looking at the camera. To the right is a light flare form the setting sun, while the background shows buildings and a park.
Doctoral Candidate
Cinema & Media Studies
Sikose Sibabalwe Mjali
Graduate Student
English
Martin Schwartz
PhD Candidate
German Studies

2020 - 2021 Society of Scholars Fellow

Yuta Kaminishi stands in front of a body of water wearing glasses and a grey shirt.

Yuta Kaminishi (he/him/his)

Graduate Student

Industrial Mobility: A Media History of Oshima Nagisa            

My dissertation reframes a media history of post-1945 Japan through the multimedia works of Oshima Nagisa, one of the most renowned Japanese film directors. Contrary to the conventional understanding of Oshima as a film director, I argue his movement among diverse media industries is central to understanding not only Oshima’s career but also the media politics of post-1945 Japan. By introducing the concept of industrial mobility, this dissertation examines the formation of new media ecologies from postwar to present.