Society of Scholars

chairs against a blackboard

The Society of Scholars is an intellectual community of humanists of diverse generations, academic ranks, and departmental affiliations who contribute to and learn from one another’s work. Each year, approximately eight faculty and three dissertation research fellowships support members of the Society of Scholars. Scholars in year-long residence at the University of Washington may be invited to participate as well. The group meets biweekly throughout the year to discuss their research in progress. 

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Cohort Archives

2025 - 2026 Society of Scholars

Jesse Cavalari
Doctoral Candidate
History
Kavita Dattani
Assistant Professor
Gender, Women & Sexuality Studies
Agnieszka Jezyk
Maria Kott Endowed Assistant Professor of Polish Studies
Slavic Languages and Literatures
Saad Khan
Doctoral Candidate
Gender, Women & Sexuality Studies
Linh Thủy Nguyên
Associate Professor
American Ethnic Studies
Alexandria Ramos
Assistant Professor
English
Jen Rose Smith
Assistant Professor
Geography
Timeka Tounsel
Associate Professor
Communication
Natalie Vaughan-Wynn
Doctoral Candidate
Geography
Alys Eve Weinbaum
Professor
English
Kathleen Woodward
Director
Simpson Center for the Humanities
Glennys Young
Professor
History
Erica Bigelow
Doctoral Candidate
Philosophy
Francesca Colonnese
Doctoral Candidate
English
Amna Farooqi
Doctoral Candidate
School of Drama
Angel Garduño
Doctoral Candidate
English
Nastasia Paul-Gera
Doctoral Candidate
Gender, Women & Sexuality Studies
Kexin Song
Doctoral Candidate
English

2020 - 2021 Society of Scholars Fellow

Adair Rounthwaite sits on a blue chair wearing a pink sweater.

Adair Rounthwaite (she/her/hers)

Associate Professor and Chair

This Is Not My World: Art and Public Space in Socialist Zagreb                 

In 20th-century socialist Europe, public space served the goals of the state, through ideological messaging, parades and urban design. But it could also enable the exercise of personal creativity and the articulation of new identities. This is a study of artists of the 1970s and 1980s who created provocative art events in city spaces in socialist Yugoslavia. The research shows the crucial role of public space for art under state socialism, and its impact on ideas of authorship, audience, and the artwork as such. Central to the book are questions about the nature of artistic freedom and art’s relationship to political context.