Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2026 - 2027 Digital Humanities Summer Fellows

Mal Ahern looks at a roll of film that has been unwound.
Assistant Professor
Cinema & Media Studies
Ashfaq Ahmed
PhD Candidate
Jackson School of International Studies
Vanessa de Veritch Woodside
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Tacoma
Andrew Hedding
Assistant Professor
Linguistics
Meichun Liu
Assistant Professor
School of Art + Art History + Design
Nikoloz Nadirashvili
PhD Candidate
School of Art + Art History + Design
Paul Jason Perez
PhD Candidate
Information School
Simpson Center Logo
PhD Candidate
Asian Languages & Literature
Jingrui Yan
PhD Candidate
Cinema & Media Studies

2018 - 2019 Digital Humanities Summer Fellow

Sarah Ross sits on a beach looking toward the water.

Sarah Ross (she/her/hers)

Doctoral Candidate

The Poiesis of Image-Signs in Modernist Cinema: A Poetic Investigation of Things

This project proposes to utilize videographic criticism to visually connect ‘high modernist” films of the 1960s and 1970s to early 20th century avant-garde “collage” as both an aesthetic and philosophical practice. Through a logic of fragmentation, reduction, re-assemblage, and collage, early avant-garde artists de-contextualized familiar objects, signs, and images, revealing the structural formations of cultural, social, political, and linguistic organizational systems. This project proposes to link these earlier practices to modernist filmmakers’ cinematic sign-creation through their shared phenomenological and poetic investigation of the relationship between “things” and consciousness.