Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2026 - 2027 Digital Humanities Summer Fellows

Mal Ahern looks at a roll of film that has been unwound.
Assistant Professor
Cinema & Media Studies
Ashfaq Ahmed
PhD Candidate
Jackson School of International Studies
Vanessa de Veritch Woodside
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Tacoma
Andrew Hedding
Assistant Professor
Linguistics
Meichun Liu
Assistant Professor
School of Art + Art History + Design
Nikoloz Nadirashvili
PhD Candidate
School of Art + Art History + Design
Paul Jason Perez
PhD Candidate
Information School
Simpson Center Logo
PhD Candidate
Asian Languages & Literature
Jingrui Yan
PhD Candidate
Cinema & Media Studies

2018 - 2019 Digital Humanities Summer Fellow

Jin-Kyu smiling at the camera in a blue sweater with blurred book stacks in the background

Jin-Kyu Jung (he/him/his)

Associate Professor

Imagination Stations: Drawing, Drifting, Mapping

This collaboration with Ted Heibert explores new ways to imagine and present complex compilations of multi-modal data. The goal is to establish an interdisciplinary discourse at points of convergence between geographic visualization and mapping, art, and the digital humanities. We look at the ways that a dialogic approach to data generation and mapping might provide new possible ways to imagine geovisual conceptualization – visualization that preserves, represents, and generates a strongly nuanced, contextual, and deeply contingent representation of urban space and people. We focus particularly on developing a hybrid framework for integrating a range of digital forms of data, analysis, and representation often considered incompatible.