The Simpson Center’s offices are currently all online. Our staff is available by phone and email. We do our best to respond as soon as possible. Thank you for your patience.
Simpson Center for the Humanities

Juliet Shields

Sentimental Literature and Anglo-Scottish Identity, 1745–1820 book cover
Sentimental Literature and Anglo-Scottish Identity, 1745–1820 (Cambridge University Press, 2010)
Monday, February 15, 2010 - 4:00pm
Communications 202

What did it mean to be British, and more specifically to feel British, in the century following the parliamentary union of Scotland and England? Juliet Shields departs from recent accounts of the Romantic emergence of nationalism by recovering the terms in which eighteenth- and early nineteenth-century writers understood nationhood. She argues that in the wake of the turmoil surrounding the Union, Scottish writers appealed to sentiment, or refined feeling, to imagine the nation as a community. They sought to transform a Great Britain united by political and economic interests into one united by shared sympathies, even while they used the gendered and racial connotations of sentiment to differentiate sharply between Scottish, English, and British identities. By moving Scotland from the margins to the center of literary history, the book explores how sentiment shaped both the development of British identity and the literature within which writers responded creatively to the idea of nationhood.

Juliet Shields is Assistant Professor in the Department of English at the University of Washington. She is co-editor of Localism and Regionalism in British Literature and Culture, 1660-1830 (Ashgate Press, forthcoming). She is currently at work on a second book project, “British Migration and American Literature, 1760-1830,” investigating the interconnected circulation of people and literary works from England’s Celtic peripheries—Scotland, Ireland, and Wales—to North America during the late-eighteenth and early-nineteenth centuries.