Ferocious Reality: Documentary according to Werner Herzog
Wednesday, February 27, 2013 - 4:00pm
Over the course of his career Werner Herzog, known for such visionary masterpieces as Aguirre: The Wrath of God (1972) and The Enigma of Kaspar Hauser (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: “There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.” Ferocious Reality is the first book to ask how this conviction, so hostile to the traditional tenets of documentary, can inform the work of one of the world’s most provocative documentarians.
From Coco Chanel and the impact of the little black dress on modernism, to re-readings of Henry James, the inventions and poetry of Mina Loy, photographs of Hans Bellmer's sex doll, and why playing cards is not the same thing as thinking, Jessica Burstein's account of modernism seeks to recenter the field and awaken us to the aesthetic virtues of taking surface appearance seriously. Central to her analysis is the important premise that our current understanding of modernism is fundamentally incomplete.
Demystifying the Digital Humanities is a new series of six workshops, funded for the first time by the Simpson Center and the UW Textual Studies program, presenting a guided introduction to the points of intersection between traditional and digital humanities (DH)...